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Arusha-Weavers Sister-LinkWhat a thrill! "Cultures Coming Together," a quilt made by women of Weavers
Mennonite Church in Virginia with fabrics provided by Sister-Link friends
in Arusha, Tanzania, sold for $4,100 U.S. at the Sept. 30-Oct. 1 Virginia
Mennonite Relief Sale. The quilt in progress appeared on the cover of the
March-April 2005 Timbrel (below). The following article by Gloria Diener appeared in the relief sale program
book. A comforter also made with Arusha Sister-Link fabric appears
in the Charlotte 2005 photo album.
It was part of a raffle which raised funds for MW USA's International Women's Fund scholarships and
Canadian Women in Mission's support for Latin American women theologians.
"Pieces of fabric from Harrisonburg and Arusha came together to create
this design," says Yvonne Martin, 44, member of the quilt committee at Weavers
Mennonite Women and designer of the "African Kaleidoscope" quilt that will
be sold to benefit the church in Arusha and HIV-AIDS victims in Tanzania.
Yvonne is sitting on the edge of her sofa as she describes the ways in
which fabric, design, and women have come together through the project.
"We've become sisters," she explains. Two years ago, the two women's groups were connected through Sister-Link,
a [ministry] of Mennonite Church USA that works with Mennonite Central Committee,
Mennonite Mission Network, [and other agencies] to build relationships and
strengthen the global church. Edith Shenk, former associate pastor at Weavers
and current church worker with MMN in Musoma, Tanzania, provided a person
link between the two groups.
There was something about holding the batiks in their hands that made the
faraway friends seem like sisters, and the fabric generated an idea among
the women of Weavers. They wrote their Arushan sisters and asked whether
it would be possible to purchase batiks from them to create a quilt to sell
and send the profits to aid the ministries of the Arusha group. Not long after the quilt idea began to take shape, a Partners in Mission
team sponsored by Virginia Mennonite Board of Missions traveled to Tanzania
to do a work project. When the team, including three members from the Weavers
congregation, returned home, they brought with them 15 lengths of fabric,
each approximately 45" by 84", designed and dyed by the Arushan women.
Integrating the African fabric into one quilt posed a challenge to the
Weavers women. Two experienced relief sale quilters, Brownie and Gladys
Driver, asked the two younger women on the quilt committee, Yvonne and Jan
Kauffman, to take on the task. "I felt uncertain," Yvonne says. "This was
only the second full-sized quilt top I've ever pieced, but people cheered
me all along the way." She smiles. "It especially meant a great deal to me
to have Brownie and Gladys's support." Since each of the 15 African fabrics were different, and since the patterns
were "bright and busy," Yvonne asked for time to just "think about it for
a while." "I'm not naturally drawn to busy designs, and I wasn't sure I could envision
something that would work well," she explains, her fingers stroking the
edge of the quilt. She and Jan began the task of designing the quilt by asking
"lots of people for ideas! We carried the batiks to fabric stores and looked
at lots and lots of quilting magazines" in an effort to generate ideas.
Eventually the women selected a batik with a circular design for the dominant
fabric, "probably because I've always had a geometrical mind," Yvonne says.
"Then we chose fabrics made here in the States that would blend well with
the colors in the batik. We wanted to emphasize the blending of color and
design of the fabrics; our creation was a celebration of the way in which
we women who have never seen each other, we felt our differences were blending
in this effort." The Africa quilt was blessed with a mini miracle during the process of
its creation. Yvonne experienced a disappointment when she realized she
didn't have enough of the batik she'd selected as "just right" for the inside
sashing (fabric that runs just inside the outside border). She had just begun
shopping for other options when Edith Shenk returned home from Musoma on
a short leave. "Edith came to our monthly sewing meeting and said, 'The women from Arusha
wanted to send you one more piece of fabric.'" Yvonne's eyes grow a bit
misty. "When Edith pulled the fabric out of her bag and showed it to us,
I realized they'd sent a piece of fabric almost identical to the one I'd
run short on. "Really," Yvonne muses, "our interaction with the African quilt has pulled
our entire congregation together. Something about its story brought experienced
and inexperienced quilters together and made us all willing to give extra
hours so we would have it ready in time for the sale." Little did Yvonne know when she began working on the quilt how much the
design and process, the story and the gift, would tap within her a new passion.
"Quilting [for the relief sale] just catches your heart," Yvonne says,
"perhaps because it's a sacrificial gift -- you give so much of your self
and your time in designing and piecing and quilting. "I believe that sacrificial gifts are the best gifts," the mother of two children continues, "because ultimately that's what Christ gave us, a sacrificial gift." She pauses for a moment, then adds, "That's something I think Christians should do -- give sacrificial gifts, until it becomes a way of life." * * * * * * * *
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